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The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaiʻi. The museum is largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, and since its official opening on April 8, 1927, its collections have grown to more than 50,000 works of art.

The Honolulu Museum of Art was called “the finest small museum in the United StatesË® by J. Carter Brown, director of the National Gallery of Art from 1969 to 1992. It presents international caliber special exhibitions and features a collection that includes Hokusai, van Gogh, Gauguin, Monet, Picasso and Warhol, as well as traditional Asian and Hawaiian art. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts; in 2012, the combined museum changed its name to the Honolulu Museum of Art.

The museum is accredited by the American Alliance of Museums and is registered as a National and State Historical site. In 1990, the Honolulu Museum of Art School was opened to expand the program of studio art classes and workshops. In 2001, the Henry R. Luce Pavilion Complex opened with the Honolulu Museum of Art Café, Museum Shop, and Henry R. Luce Wing with 8,000 square feet (740 m2) of gallery space.

The Honolulu Museum of Art has a large collection of Asian art, especially Japanese and Chinese works. Major collections include the Samuel H. Kress collection of Italian Renaissance paintings, American and European paintings and decorative arts, art of Africa, Oceania, and the Americas, textiles, contemporary art, and a graphics collection of over 23,000 works on paper. Other collections include the James A. Michener collection of ukiyo-e prints and the Hawaiian art collection, which chronicles the history of art in Hawaiʻi.


The Department of European and American Art has paintings by Josef Albers, Francis Bacon, Edward Mitchell Bannister, Romare Bearden, Jean-Baptiste Belin, Bernardino di Betti (called Pinturicchio), Abraham van Beyeren, Albert Bierstadt, Carlo Bonavia, Pierre Bonnard, François Boucher, Aelbrecht Bouts, Georges Braque, Mary Cassatt, Paul Cézanne, Giorgio de Chirico, Frederic Edwin Church, Jacopo di Cione, Edwaert Colyer, John Singleton Copley, Piero di Cosimo, Gustave Courbet, Carlo Crivelli, Jasper Francis Cropsey, Henri-Edmond Cross, Stuart Davis, Edgar Degas, Eugène Delacroix, Robert Delaunay, Richard Diebenkorn, Arthur Dove, Thomas Eakins, Henri Fantin-Latour, Helen Frankenthaler, Bartolo di Fredi, Paul Gauguin, Vincent van Gogh, Jan van Goyen, Francesco Granacci, Childe Hassam, Hans Hofmann, Pieter de Hooch, Adélaïde Labille-Guiard, Philip Guston, William Harnett, George Inness, Alex Katz, Paul Klee, Nicolas de Largillière, Sir Thomas Lawrence, Fernand Léger, Morris Louis, Maximilien Luce, Alessandro Magnasco, Robert Mangold, the Master of 1518, Henri Matisse, Pierre Mignard, Amedeo Modigliani, Claude Monet, Thomas Moran, Giovanni Battista Moroni, Grandma Moses, Robert Motherwell, Alice Neel, Kenneth Noland, Georgia O'Keeffe, Amédée Ozenfant, Charles Willson Peale, James Peale, Pablo Picasso, Camille Pissarro, Fairfield Porter, Robert Priseman, Robert Rauschenberg, Odilon Redon, Diego Rivera, George Romney, Francesco de' Rossi (called Il Salviati), Carlo Saraceni, John Singer Sargent, Gino Severini, Frank Stella, Gilbert Stuart, Thomas Sully, Yves Tanguy, Jan Philips van Thielen, Giovanni Domenico Tiepolo, Bartolomeo Vivarini, Maurice de Vlaminck, William Guy Wall and James McNeill Whistler.

The collection also includes three-dimensional works by Alexander Archipenko, Robert Arneson, Leonard Baskin, Lee Bontecou, Émile Antoine Bourdelle, Alexander Calder, Dale Chihuly, John Talbott Donoghue, Jacob Epstein, David Hockney, Donald Judd, Jun Kaneko, Gaston Lachaise, Wilhelm Lehmbruck, Roy Lichtenstein, Jacques Lipschitz, Aristide Maillol, John McCracken, Claude Michel (called Clodion), Henry Moore, Elie Nadelman, George Nakashima, Louise Nevelson, Isamu Noguchi, Hiram Powers, Pierre-Auguste Renoir, George Rickey, Auguste Rodin, James Rosati, Augustus Saint-Gaudens, Lucas Samaras, George Segal, David Smith, Mark di Suvero, Tom Wesselmann and Jack Zajac. The permanent collection is presented in 32 galleries and six courtyards.

The Honolulu Museum of Art occupies 3.2 acres (13,000 m2) near downtown Honolulu.The museum is open to the public Tuesday through Sunday. Admission is free to members, children and for some events, but otherwise a fee is charged. Some events and certain days offer free admission to all.Guided tours are offered several times daily. Tours in the Japanese language, for the hearing impaired and specialty group tours for 10 or more are also available.

The museum is open from 10 a.m. to 4:30 p.m. from Tuesday to Sunday. Closed on Monday.

The museum's second location, Spalding House (formerly The Contemporary Museum, Honolulu), is located in Makiki Heights and includes galleries, a café, and a sculpture garden. On permanent view is David Hockney's installation "L'enfant et les sortilèges," the artist's interpretation of his original stage designs for the 1981 Metropolitan Opera production.

The Doris Duke Theatre at the museum seats 280. It hosts movies, concerts, lectures, and presentations. The theatre is also home to Hawaii's GLBT film festival the Rainbow Film Festival. It is currently run by Theatre Manager, Taylour Chang.

In 1927, the Research Library opened with 500 books. In 1955, it was expanded and named for Robert Allerton. The collection includes 45,000 books and periodicals, biographical files on artists, and auction catalogues dating to the beginning of the 20th century. The museum has over 8,000 woodblock prints, many of which were gifts from James A. Michener. More than 2,000 Japanese ukiyo-e prints are digitized and available for viewing online. The library is a non-circulating research facility. The library reading room is open on Wednesdays.

Arts education is another facet of the museum. The Honolulu Museum of Art School (formerly the Academy Art Center at Linekona) offers studio art classes and workshops, and hosts exhibitions showcasing the island's folk and contemporary artists. The school offers arts education programs for children with special needs and public school students and maintains a lending collection for educators, students, and community groups.

Doris Duke (1912–1993) built Shangri La with the help of American architect Marion Sims Wyeth. Duke's collection of Islamic art was assembled over 60 years.

Anna Rice Cooke (1853–1934), daughter of New England missionaries and founder of the Honolulu Museum of Art, in her dedication statement at the opening of the museum on April 8, 1927 said:

Born on Oʻahu in 1853, Cooke grew up on Kauaʻi island in a home that appreciated the arts. In 1874, she married Charles Montague Cooke and the two eventually settled in Honolulu. In 1882, they built a home on Beretania Street, across from Thomas Square. As Cooke's career prospered, they gathered their private art collection. First were "parlor pieces" for their home. She frequented the shop of furniture maker Yeun Kwock Fong Inn who often had ceramics and textile pieces sent from his brother in China.

The Cookes’ art collection outgrew their home and the homes of their children. In 1920, she and her daughter Alice (Mrs. Phillip Spalding), her daughter-in-law Dagmar (Mrs. Richard Cooke), and Catharine E. B. Cox (Mrs. Isaac Cox), an art and drama teacher, began to catalogue and research the collection with the intent to display the items in a museum. With little formal training, these women obtained a charter for the museum from the Territory of Hawaii in 1922, while continuing to catalogue the collection. Cooke wanted a museum that reflected HawaiÊ»i's multi-cultural make-up. Not bound by the traditional western idea of art museums, she also wanted to showcase the island's climate in an open and airy environment, using courtyards which interconnect the galleries throughout the museum.

The Cookes donated their Beretania Street land along with an endowment of $25,000. Their home was torn down to make way for the museum. New York architect Bertram Goodhue designed a classic Hawaiian-style building with simple off-white exteriors and tiled roofs. Goodhue died before the project was completed; it was finished by Hardie Phillip. This style has been imitated in many buildings throughout the state.

On April 8, 1927, the Honolulu Museum of Art opened. There was a traditional Hawaiian blessing and the Royal Hawaiian Band, under the direction of Henri Berger, played at festivities. With the opening of the museum came gifts of many pieces, sometimes even entire collections. Additions to the original building include a library (1956), an education wing (1960), a gift shop (1965), a cafe (1969), a contemporary gallery, administrative offices and 292-seat theater (1977), and an art center for studio classes and expanded educational programming (1989). In 1999, the museum created a children's interactive gallery, lecture hall, and offices.

The original building was named Hawaiʻi's best building by the Hawaiʻi Chapter of the American Institute of Architecture and is registered as a National and State Historical site. The museum is accredited by the American Alliance of Museums.

In 1998, extensive renovation began starting with the Asian wing. In September 1999, construction began on the John Hara-designed Henry R. Luce Pavilion Complex, which opened May 13, 2001. It includes expanded spaces for The Pavilion Café and The Museum Shop and a new two-story exhibition structure. The Luce Complex is named for Henry R. Luce, the co-founder and editor of Time Magazine and other publications. His widow, Clare Boothe Luce, had a residence in HawaiÊ»i and served on the museum's board of trustees from 1972–1977.

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